Showing posts with label Cairo. Show all posts
Showing posts with label Cairo. Show all posts

Monday, September 23, 2013

Grey Matter

CAIRO is pleased to announce the newest art exhibition for the month of October, titled GREY MATTER. This October showcase features individual works of photography, photo-media, and collage by local artists Tara Atkinson, Max Cleary, Eleanor Petry, Ed Silverstein, Jules Vezzetti, Joe Rudko, Jarod Faw, and Rachael Lang.


Join us Thursday, October 10th for art, drinks, and conversation, 7-9 PM!


Sunday, August 4, 2013

Restocked: Greentree Jewelry









Currently Cairo is carrying these beaded necklaces and rings by local designer Greentree Jewelry! These beautifully simple pieces will compliment any outfit, so stop by today and try some on!

http://www.ilikemytreesgreen.com/index.html

Tuesday, July 2, 2013

JULY ART SHOW AT CAIRO: ROUGH CUT with ADAM BOEHMER, JUSTIN DUFFUS, AND BENNETT SCHATZ

Hey All!
Cairo is very excited to announce ROUGH CUT, a multidiscipinary art show featuring paintings by Justin Duffus, a video/installation by Bennett Shatz, and tangible objects by Adam Boehmer.

Justin is a painter living in Seattle. He attended Pennsylvania Academy of the Arts, and 2-D work ranges from painting to collage, figurative to abstract.

Bennett has just graduated from DX Arts (a video and design program) at UW, and was the tech manager for the college radio station. Bennett's art and music utilizes intricate composition and surreal subject matter.

Adam is an artist, musician and writer living in Seattle, WA. His visual art is sculptural and assemblage-based, and stems from the desire to arrange and bind objects in a powerful way, recontextualizing building materials, masculine accoutrements and ephemera.

Join us on Thursday, July 11th for drinks, art, and conversation!
Hope to see you there!


poster by Bennett Schatz

Tuesday, May 21, 2013

Dragging an Ox Through Water: 5/24 at 8PM

'Sup friends and lovers,

we're so looking forward to seeing Brian Mumford of Dragging an Ox Through Water this weekend. This unique sound maker puts on a quietly beautiful show - full of subtle fuzz, folk rhythms, and electronic mild-melding.

Brian will be joined by a novel and never-heard-before collab between Seattle's The Numbs and Secret Colors: they're called Huge Rock and they are #rare. Additional support by Marcus Price (The strange sounds of lift-off) and Pill Wonder (WS Murdoch's trill thunder)



Show begins at 8 PM, $5 at the door and all-ages always and f o r e v e r ~~~

check out the facebook event page here

XOXO,
CAIRO 

Thursday, May 9, 2013

Interview with May artist Troy Ayala


Introducing Troy Ayala, local artist and musician of the bands Stickers and White Coward, and Cairo's featured artist of the month!

Troy's show, titled Pussy Light: Wicklified, kicks of TONIGHT, May 9th, from 7-9 PM. 

Read up on Troy's influences and art practice, and then come tonight for art, drinks, and conversation!



Tell me a little about the art in this show.
The art in this show mostly consists of collage work based off of old magazines and books (lots of vintage penthouses) mashed together to form disturbing, crass, and funny characters with a little drawing included to add to the eye candy.
Who/what/which other artists inspired this work? 
My work has been influenced by the hilarity I find in vintage advertising, celebrities, and nudie magazines.  My primary influences are Art Chantry, Omar Pierce, and especially for this show Emily Denton, Gabriella Page Fort, and Colin Dawson...aka close buds and bandmates.
When did you start making art? 
I started making art about five years ago when I had a ton of free time on my hands and thought I was capable of making art just as good as other artists I'd watched over the years.  I'd always doubted my technical abilities but had the realization that it wasn't the most important attribute when creating something.
How would you best describe your creative body of work, thus far? 
I consider my work to be taken pretty lightly as I aim to make people have a giggle when they see it.  I just really enjoy making weird, awkward, sometimes crass characters that people can stare at for a long time.  I don't take myself too seriously and currently think of myself as the Riff Raff (rapper) of the Seattle art community. ;)
What is a medium you would like to try, but haven't yet?
I would try my hand at making and editing videos and I'd love to get back into photography which is something i used to love to do.
How has this city influenced your work? 
The city has really given me confidence to show my work in public and just be free to make anything that my brain wants to cook up.  I've had some amazing encouragement from amazing people throughout the years and am so thankful for what Seattle has done for me...it's pretty much made me not give a fuck in the best way ever.


See you tonight!


Monday, April 8, 2013

Group art show this Thursday!

Hey all!

We have our monthly art  show coming up this THURSDAY, April 11th at Cairo, 7-9 PM.

The show, titled Portrait, features six photo and collage artists, including:

Mario Lemafa 
Roman Camarda 
Jake Muilenburg  
Leena Joshi 
Leland Swarts 
Alyssa Volpigno 



Click here to see the Facebook invite. 

Hope to see you there!

Friday, March 8, 2013

Interview with March Artist Shannon Perry!


Tonight (Friday, March 8th) is the opening of Hanz/Haus

This show, open until mid-April, features work by artists/musicians/housemates Shannon Perry and Lelah Maupin.

Shannon will be showing drawings and sculptures of hands.

Lelah will be showing drawings and paintings about Spruce House.

Set up at Cairo

Check out this interview with Shannon and come to Cairo tonight!


Can you tell me a little about your inspiration for this show? 
Over the last couple years, I've been doing a lot of hand-related art, so this show seemed like a good opportunity to bring that recurring idea into fruition in a more solid way.

Do you prefer collaborating for art or going solo? 
Well, when it comes to making music, I'd say I like to collaborate, but visually, I usually fly solo. I'm not sure if that's because I prefer it that way, or if it's just been the way things have worked out so far. I'd certainly say I'm open to collaborate on things; I certainly do a lot of collaborative type work when trying to create custom work for tattoos. People tell me what they want, and I try my best to create something I can be proud of that they like as well... Does that count? :)

What brought you to tattooing?
I bought a tattoo kit off EBay years ago because I didn't want to pay high prices to get the simple line-type tattoos I tend to cover myself with. I figured I'd save money, and that I was decent enough at drawing to pull it off.  It worked for a while until my left side started to become disproportionately covered. Eventually I enlisted Lisa Orth to help me with my right side, and we hit it off. I told her about my home tattooing, and she asked me if I'd ever thought about taking it more seriously, as she had seen and liked my artwork. It was an awesome opportunity, and I had to take it. I graduated from my apprenticeship last week, and I'm very happy to now call myself a tattoo artist!

How is it better/worse than other creative mediums? 
It's better because it feels like there's a lot of room to play with what kinds of things people might typically get as tattoos. It's worse because tattoo culture can tend to dampen the perception of the art. I think it's cool though. I love incorporating my sense of humor into my work, and I like to take simpler, less "serious" pieces more seriously. I like a real sketchy, hand-drawn style.

Is there something you would never tattoo on an individual (other than the obvious hate-speech or discriminatory images/phrases)?
Oooh, that's a tough question. I'm very lucky to have a lot of friends with great taste, so I'm not often confronted with what I would consider to be awful ideas. I'd really have to take it on a case by case basis. I haven't yet turned anyone down based upon my personal taste, but I've only been doing this for under a year, and I haven't been asked to do anything real extreme yet.. We'll have to see...

You, like many artists, work in the service industry. What is the worst service industry job you've ever had? 
I'm happy to say that I just quit my service industry job, and I'm going full time tattoo artist at Alleged Tattoo! The worst food service job I've had was at a Greek restaurant, that shall remain nameless. The owner suggested I wear more make-up. I would say that Red Robin was the worst, but I had a lot fun wearing the bird costume.


Join us for drinks and good conversation.

Hope to see you there!

CAIRO 
507 E Mercer 
98112

Thursday, December 20, 2012

Interview with December Artist Shana Cleveland of La Luz

Hi folks!

TONIGHT is Cairo's December art show featuring "Famous Faces" by Shana Cleveland

For this exhibition, Cleveland recreated promoshots from the early days of rock'n'roll, as well as silhouettes and shadow puppets. 

I had the pleasure of interviewing and chatting with Shana last week about her artistic style, Detroit MI, and crazy stories from the road. 

Keep reading to learn more and come to Cairo TONIGHT 7-9 PM to see her work! 

The Foster Twins

The Supremes


Tell me about your work for this show, "Famous Faces". 
This show will be mostly comprised of portraits that I did for my calendar this year, which is called Famous Faces. There are 12 portraits for that--it's all old rock and rollers from the 50s and 60s. There are also going to be a lot of silouhettes--I've been doing a lot of those lately, and maybe a couple other things. My favorite portrait is the one of the Foster Twins. 

What other mediums have you used in the past, if any? 
I've taken a lot of art classes but I've mostly just dabbled in different mediums. When I was in art school in Chicago I did a lot of 3D design work, sculpture, and photography. I went to Columbia College--I started majoring in photography but ended up graduating a degree in poetry. 
I do a lot of design work for show posters in general,  but I don't really consider visual art as my specialty--its just something I like to do. I focus on music the most, artistically speaking. 

How would you describe your personal artistic style in any creative endeavor?
It's weird…when I draw people, I think it looks exactly like the person in real life. But I know that's not true. It's really pop art, kind of comic, I guess. I don't put a lot of artistic weight on it. 
It's different with my music, I usually try to make something that's really fun and familiar, but not something that I've heard before. I wanted to make something really fun to hear and easy to understand, you know? Music that is not exclusive or necessary to be a part of the scene to enjoy, but also have more depth there for those who want it. I want it to stand a lot of listens. 
Lyrics are really important for me, too. I wanted the lyrics to be easily understandable, but not cliche. 

Any mediums you want to explore? 
I am pretty much doing exactly what I want to do with music right now--La Luz is the most exciting thing I've done so far. We just started up this summer, after I got back from tour with The Curious Mystery. We have a tape coming out on Burger Records, and a 7 " coming out on Water Wing which is a division of Mississippi Records. Those are coming out at about the same time, so we are going on our first tour of the West Coast in March. 

What are you most proud of in your career so far? 
Hmm, I don't know. I am most proud of La Luz, I think. The portraits, as much as I love doing them, are easy. Mostly, this new band is what I am really proud of. Marian played in The Curious Mystery with me and The Pica Beats. The other musicians, Abbey and Katie, I met at Cafe Racer. They do mostly classical and jazz music--I met them at a jazz jam session at Racer. This is their first rock band. 

Where are you from? 
I am from Kalamazoo, MI. When I was 18 I moved to Chicago for school. Kalamazoo was cool though, there were a lot of underage punk shows and a cool music scene happening when I was there. 

Where is your favorite place on the road?
I really love being on tour. I liked playing on house shows in Michigan and Philadelphia--places where kids are really excited and stoked to see a band. One of the best tour experiences I've had was when we played at a DIY loft showspace in Michigan. The kids were totally flipping out and screaming and dancing, and when I told them we were originally from Michigan, they went hysterical. It was amazing. 

Best tour story?
When we were toured this summer with Calvin Johnson's band The Hive Dwellers, and we went to Greensboro, NC. We were  crashing at our friend's house while he was at work because he set up the show for us. All of a sudden the cops came and apparently they received reports that people had broken into the house and were ransacking the place--but we were just sitting around--reading. More and more cops kept coming, and eventually the house was full of cops, and they were asking WHERE'S THE DRUGS???  It was a total misunderstanding and no one got arrested but I was pretty sure we were going to. Calvin was making fun of the cops and they took him outside with his hands behind his back. Ha, that was pretty crazy. 

What are your greatest musical influences? 

Lately I've been influenced by Link Wray more than anyone on my quest to become an awesome surf guitar player. And classics like The Velvet Underground, Billie Holiday, the Beatles, Kinks, Stones, and Stevie Wonder. And Television. And Mississippi Records tapes bigtime. Really amazing singers like Irma Thomas and loose wild singers like Will Oldham and Ariel Pink and Lou Reed...Lou Reed's got the coolest noises.


See you tonight!
Cairo
507 E Mercer 
98112 

7-9. Drinks and conversation provided ;)

Monday, December 3, 2012

Thursday, November 15, 2012

EXPO 90 ARTIST INTERVIEW with MAX & GRAHAM!


EXPO 90 STARTS TONIGHT! 

Read Max & Graham's interview and come prepared to WRASTLE!


The Interview: 

1. In a sentence or 2, please introduce yourself (as Max & Graham) and your style of art. 
G: Hi, I'm Graham. We do stuff and make stuff. 
M: I'm Max. We do stuff and make stuff.

2. Where do most of your ideas for pieces come from?
G: Explosions, white chicks, pot, maguffins, youtube videos with like 45 views, bulk items, porches, UFO abductees, Luminas, celebrity cardboard cut outs. 
M: VHS, cults, long nights, tool dip, stone texture. Chains of thoughts. We steal a lot of stuff from other people and then accuse them of stealing it from us.

3. What is "Wrastle"? How should the audience come prepared? 
G: Take some shots before you come. Wear tight clothes and if you own a mouth guard bring it. 
M: Wrastle is a chance to experience something a lot of people either never experienced or haven't for a long time, and that is the experience of ruff-housin with somebody in your living room. This isn't backyard wrestling or sport wrestling, this is like your brother beating you up for no reason and man it's fun. We wanted to make an experience rather than a static image, and also I love wrastling.

4. What is the best prank you have pulled off (individually and together)? 
G: Recently we hung a note on our buddy Goodman's door that just said we were really sorry. We didn't actually do anything but he was furious about it and demanded to know what we had done. He then threatened to set me on fire. We all had a pretty good laugh though. 
M: We hid a dildo above the door to our roommates room and her mom walked in and it hit her mom on the head with the dildo.

5. What is your most played song of 2012? 
G: Monster Mash.
M: Monster Mash. But it's quickly becoming Y'all Ready For This.


SEE YOU TONIGHT!

Wednesday, November 14, 2012

EXPO Artist Interview Continued!

EXPO 90 STARTS TOMORROW!


Here are two more artist interviews for EXPO 90, starting tomorrow @ Cairo!

In a sentence, please introduce yourself.
Megumi Shauna Arai

What forms of photography do you most prefer? (Digital, film,
digitally altered, etc)
120 and alt process with mad respect for digital.

Where have you spent most of your life? How has this place affected
your art and your work?
We lived in Seattle and Tokyo growing up. Unrelated to that, I have spent a lot of time confined. It feels good to be free.

How does the theme "The End: 2012" resonate with you? What does it conjure?
Everything ends and I’m terrified of endings so its good stuff to meditate on.

Do you plan to prepare for the demise of civilization in any way?
 Tell my mom I love her.

What is the last song you would listen to before the end of the world?
Dignified & Old - The Modern Lovers

In a sentence, please introduce yourself.
My name is Lauren, I live in Seattle, and photography is my medium to share beauty and thoughts with others.

What forms of photography do you most prefer? (Digital, film,
digitally altered, etc)
I prefer film, especially 35mm. I mainly use a Canon A1 that my mom gave me back in high school, one that she has had since the 1980's; or different point and shoots I've accumulated over the years. Recently, I bought an Olympus XA2 at a flea market in San Francisco that has been great to make images with.

Where have you spent most of your life? How has this place affected
your art and your work?
I've always lived in the area, I grew up in Olympia, and moved to Seattle 8 years ago. I feel that the landscape here shows through in my work, because I love shooting outdoors quite a bit with Northwest themes. I was recently featured on the Nordstrom blog (http://blogs.nordstrom.com/men/northwest-territory-lauren-max/), and they described my work as having a "laid-back hedonism that is quintessentially Northwest". That sounds about right to me.

How does the theme "The End: 2012" resonate with you? What does it conjure?
I believe that all this apocalypse, and "end of the world" jargon is really just alluding to more of an awakening in humanity's consciousness; hopefully progressing together in a positive manner that benefits us all, and our earth.

Do you plan to prepare for the demise of civilization in any way?
Not really, but if I'm wrong, I would want to have a big feast at my house with friends and family.

What is the last song you would listen to before the end of the world?
"This must be the place" By The Talking Heads, it's been my favorite song for quite some time.


Interview of Max & Graham coming soon!

SEE YOU TOMORROW.


Sunday, November 11, 2012

EXPO 90 Artist Interviews.


Hi Folks! Cairo's annual EXPO 90 festival is starting THIS THURSDAY, November 15th, with a group photography show titled "The End", and "Wrastle", an interactive performance by Max & Graham. 





Here are short interviews with a few of the photographers to get you prepped for the big night! 


1. In a sentence, please introduce yourself. 
My name is Andrew Nedimyer and I hide behind a beard.

2. What forms of photography do you most prefer? (Digital, film, digitally altered, etc)
I prefer to shoot film. Primarily 35mm on a variety of cameras. My go-to is my Contax T3.

3. Where have you spent most of your life? How has this place affected your art and your work? 
I grew up in Orlando Florida, and moved to Seattle 5 years ago. Seattle is full of creative types and it's easy to find inspiration here. I think the friends I've made here have made the most impact on anything creative I do. 

4. How does the theme "The End: 2012" resonate with you? What does it conjure? 
I imagined the end of the world being a physical place, it makes me think of the cover of the book, "Where the Sidewalk Ends".

5. Do you plan to prepare for the demise of civilization in any way?
I'll probably just order a pepperoni pizza and sit at home watching Wayne’s World. 

6. What is the last song you would listen to before the end of the world? 
Asleep by the Smiths or Baby Got Back by Sir Mix-a-lot.

1. In a sentence, please introduce yourself. 
I'm Serrah Russell, an artist and curator living in Seattle and working with instant film, found photography, and digital imagery. 

2. What forms of photography do you most prefer? (Digital, film, digitally altered, etc) 
I prefer instant film and typically use Fuji Instax and Fuji FP100C and shoot on a Instax Camera and a vintage  Polaroid Land Camera 100 that was a complete steal for $3.99 at the Dearborn Goodwill. The piece I have included in this show, "This is not the end. This is only the beginning" is actually an archival print from a digital scan of an original Polaroid. I really like the immediacy of instant film as well as the way it helps me to be more considerate and decisive about my shots. 

3. Where have you spent most of your life? How has this place affected your art and your work? 
All of the life that I can remember has been spent here in the Pacific Northwest. I truly feel like I live in a dream, this city is so full of community, creativity, and surrounded by so much natural beauty. Everyday I wake up and look out at Elliott Bay from our balcony and am beyond grateful that I get to live here. 

The PNW has affected my work in a strong way that is quietly revealing itself more and more these days. Nature merges with city in such a specific and intricate way here and it adds a depth to each individual's narrative within their place. I feel like much of my recent collage work, particularly the work I put together for the Northwest art subscription program LxWxH addresses the emotion and story of people and their emotional experience within their dwelling or their surrounding. 

I'm fairly in love with Seattle and honestly, I think I have been for quite some time but am only now beginning to realize just how much. Being in love with a place, its people and their potential has influenced me to really invest and put down roots. I'll certainly be here for a while. 

4. How does the theme "The End: 2012" resonate with you? What does it conjure? 
The End conjures up thoughts of science fiction ala Kurt Vonnegut, ideas of time travel, hope for endless possibilities. I really enjoy the idea of an imminent ending of the world, because it elicits many questions and theories as well as a deeper understanding of our present. I believe that nothing ends but rather transitions into a beginning. So The End has a positive light to me, as if it is a conduit into a new place. I believe in the eternality of actions as they continue to affect the future so nothing is really over. 

5. Do you plan to prepare for the demise of civilization in any way?
I don't have a current plan though recently I have been beginning and ending my day with thoughts of thankfulness for all the beautiful and lovely things of this world, so maybe my plan is to just live as well as I can until the world stops. However, if a zombie apocalypse became a reality, I think my husband has some specific plans for survival that he formed based on watching the television series Walking Dead. I believe they involve us creating a commune with all the people we know who have specific skills that can help us survive. We have a gardener, computer engineer, artist, and cook, so I think we really just need some medicinal help like a nurse or doctor to complete the whole package. 

6. What is the last song you would listen to before the end of the world? 
If I'm leaving this world, I'm going out with Bob Dylan so I think I would have to say either The Times They Are A-Changin' or Wedding Song. In Wedding Song I'm particularly thinking of this line:

"It's never been my duty to remake the world at large,
nor is it my intention to sound a battle charge
'Cause I love you more than all of that with a love that doesn't bend
and if there is eternity I'd love you there again."


1. In a sentence, please introduce yourself.
Aquarius, vegetarian, jogger, lover, dreamer. 

2. What forms of photography do you most prefer? (Digital, film, digitally altered, etc)
Poetic beautiful imagery.

3. Where have you spent most of your life? How has this place affected your art and your work? 
U.S.A. It has inspired me to search for endless beauty in such a tacky place.

4. How does the theme "The End: 2012" resonate with you? What does it conjure? 
Ridiculous superstition bunch of nonsense the fundamentalists love to preach about.

5. Do you plan to prepare for the demise of civilization in any way?
Some may argue turning on the radio dial is proof that civilization has already died.

6. What is the last song you would listen to before the end of the world? 
Judge Dread 'End of the World' followed by the Pet Shop Boys 'The End of the World' no irony just great songs.


More interviews to come, so stay tuned!