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"Sometimes—sometimes—it's great to come across a poster image that makes you unsure of just what exactly you're looking at. This photo collage by Dale Metteer is an excellent example, drawing you into its strange little world."
Footwork is a local trio comprised of Taylor Wingett (Secondary), Myke Pelly (Haunted Horses), and James Scheall (Wet Paint DMM, Half Gift). Their sound is—perhaps unsurprisingly—not unlike a weird, mutant hybrid of Haunted Horses’ grand guignol and Wet Paint DMM’s singularly clanging brutality. The bass and guitar shriek, stab, and throb with the distorted angularity of German Expressionism, and Pelly’s thunderous jungle drumming rolls and rattles throughout the band’s rapidly-shifting song structures with positively tidal force.
"High Wolf only did three pieces in 30 minutes (I greedily wanted at least three hours), but they filled the tiny space with strange radiances and rhythmic undulations. The whole thing—mesmerizing hand percussion loops, guttural utterances garbled into alien textures, wah-wah’d and flanged guitar humidity, and Chambers’ Univox and Juno-60 keyboard coloration—was made up on the spot by two guys who’d never met before. Though frustratingly short, the performance thoroughly entranced."
"J Green stood to his side, mic in hand, singing and doing dance moves seductive enough to move an art gallery full of stiff-limbed indie kids into hands-in-the-air revelry...
Forkner played keys, triggered the rhythm tracks, and manipulated J Green's vocals, adding delay or looping samples on the fly. At the set's peaks, he would send the songs into an almost-screaming psychedelic pitch, synths ping-ponging between speakers, noise and feedback and delay swelling ecstatically."
